Tanushree Dutta has once again stirred debate with a recent social media post, posted shortly after actor Nana Patekar’s death and following her earlier “evil dead” comment about him. The post, shared via Instagram, reflects her deep spiritual beliefs and makes bold claims about taking control of her life’s narrative.
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## Nana Patekar’s Passing and Earlier Remarks
Nana Patekar, an esteemed actor in Indian cinema, passed away at the age of 75 from a heart attack in Goa during the early hours of October 8. The death drew global attention, not only for his contribution to film but also because of a recent controversy fueled by statements from Tanushree Dutta.
A few days prior to his death, Tanushree Dutta had made headlines for her “evil dead” remark aimed at Nana Patekar. This comment came amid the long-controversial sexual harassment allegations she leveled against him in 2008, which were revisited during a public exchange in 2018.
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## The New Post: Faith, Faithfulness, and Faith in Mahakal Baba
In her latest Instagram video post, Tanushree Dutta addresses the aftermath of Nana Patekar’s death, expressing doubt over whether reports of his passing are genuine. She hints at a longing for closure from what she characterizes as long-standing “evils” in her life.
Central to her message is her unwavering faith in Mahakal Baba. She credits her spiritual devotion for protecting her from what she described as numerous “attacks” on her life, including so-called “maaran kriyas” conducted by Nana and his associates.
Tanushree wrote:
“Mahakal Baba ke darbar mein meri astha! He is the one who saved me from the multiple attacks on my life and shielded me from hundreds of maaran kriyas done by Nana and his friends.”
She added that despite her belief in these spiritual protections, she holds serious reservations about whether Nana Patekar did indeed pass away as reported. Her hope, she said, is that “this evil is dead and gone for good” and that all negative entities tormenting her life will finally cease.
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## A Plea to the Divine and an Echo of Pain
This post marks the first time Tanushree publicly asks for more than what she’s ever requested from her deities. She insists that having their blessings used to be enough, but now she needs something more definitive.
Her message grows more intense: she appeals for all those she believes have harmed her—along with their “flying monkeys,” helpers, and supporters—to be removed from her life.
Tanushree goes further, admitting she cannot live under unending negativity and persistent conspiracies. In a powerful admission, she states she’s ready to leave life if these conditions don’t change. She ends with a plea to Mahadev to prove divine love for her—she asks that the world recognize the strength of her devotion.
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## Sexual Harassment Allegations: Background Details
Tanushree Dutta’s accusations against Nana Patekar extend back more than a decade. Her first public allegation was filed in 2008 with the Cine and TV Artistes Association. She followed up in 2018 during a Zoom interview, alleging he sexually harassed her on the set of a special song for their film *Horn ‘Ok’ Pleassss*. Nana Patekar has consistently denied these accusations.
In December 2018, Tanushree’s lawyer filed a request at the Oshiwara police station seeking narco-analysis, brain-mapping, and lie-detector tests for Nana Patekar, choreographer Ganesh Acharya, producer Samee Siddiqui, and director Rakesh Sarang. By June 2019, the police had cleared Patekar of all charges in the matter.
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## Public Reactions and Industry Impact
Tanushree’s post has sparked a variety of responses. Some express empathy, viewing her as a person grappling with unresolved emotional and spiritual wounds. Others worry about the implications of her statements, especially those that seem rooted in mistrust and distress.
Within Bollywood, this episode has revived discussions about accountability, mental health, and the way public figures address long-standing allegations. Tanushree’s appeal to higher spiritual powers, for example, highlights the complexity of belief systems when personal dignity, public oversight, and emotional well-being collide.
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## Looking Ahead
This latest post is likely far from Tanushree’s last public commentary on these interlinked issues of hurt, faith, and justice. Her pattern of expression—alternating between spiritual pleading and pointed criticism—keeps the dialogue alive surrounding unresolved harassment allegations in Indian cinema. Her assertion that she doubts the authenticity of Patekar’s death report hints at growing confusion or distrust that may demand clarification in coming days.
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